Henry Herbert La Thangue RA NEAC was an English realist rural landscape painter associated with the Newlyn School. He was one of the founding members of the New English Art Club in 1885 as well as a member of the Royal Academy.
Early life
La Thangue was born in Croydon, Surrey, and was schooled at Dulwich College where he met fellow painters Stanhope Forbes and Frederick Goodall. He studied painting first at the Lambeth School of Art and then, from 1874–79, at the Royal Academy, London, winning a gold medal for his work in 1879.
This led to a prestigious scholarship for three years at the studio of Jean-Léon Gérôme at the École des Beaux-Arts in Paris. Here La Thangue came under the influence of the Barbizon school of open-air landscape painters, such as Bastien-Lepage and Dagnan-Bouveret, despite the fact that his teacher was strongly critical of the movement.
Career
Between 1881–82 La Thangue spent some time painting on the coast of Brittany (one of his works from this period is The Boat-builder's Yard), then in Donzère in the Rhone valley (1883). He became a member of the Royal Institute of Oil Painters in 1883. He returned to England in 1886, exhibiting at the Royal Academy, Royal Society of British Artists (RBA), Grosvenor Gallery, New Gallery, Royal Institute of Oil Painters, and many regional galleries. He became involved in a failed attempt to reform the Royal Academy, helping to found the rival New English Art Club (NEAC) and exhibiting his work there.
In the late 1880s, La Thangue moved to South Walsham in Norfolk. A painting of this period, Return of the Reapers (1886), reflected his interest in photography and photo-realistic depictions. In the early 1890s, he settled in Bosham, in Sussex, where he continued his large-scale rural genre paintings, some of which proved to be controversial. In 1896, Tate acquired The Man with the Scythe. In 1898, he was made an Associate of the Royal Academy, becoming a full Member in 1912.
La Thangue eventually made his base at Haylands in Graffham, Sussex, though he also spent much time painting in Provence in France (after 1901), Liguria in Italy (1903–11) and the Balearic Islands. His southern European landscapes were shown in a successful commercial exhibition at the Leicester Galleries in London, just before the outbreak of World War I.
In 1929, he was reportedly deeply affected by the loss of two of his paintings when the ship Manuka carrying them foundered off the New Zealand coast. In that same year, he died in London on 21 December. On 26 December, the paintings were recovered near Long Point, New Zealand, in fairly good condition.
Exhibition
'The Watersplash' (illustrated above) features in 'Capturing LIfe: A Century of the New English Art Club' at Victoria Art Gallery until 11 April 2023.
CREDITS
This is an edited version of Henry Herbert La Thangue's Wikipedia biography.
You can find out more and view a selection of hiswork on his ArtUK website page.
Header images (left to right)
- 'Portrait of a Young Girl' (c.1880) Photo credit: Towner
- 'Gathering Plums' (1901) Photo credit: Manchester Art Gallery
- 'The Return of the Reapers' (1886) Image released under Creative Commons CC-BY-NC-ND (3.0 Unported) (Tate Collection)